It was a long weekend in Mozambique, as people celebrated Heroes’ Day. I spent part of it with my friends Mike and Liz and a few of their friends–for dinner, then live music. It’s the first time we’ve all been out together since I arrived. Probably one of the rare adult only nights for all of them. I think they all enjoyed the freedom, something I often take for granted.
This long weekend also marked the official start of the Marrabenta festival, which means “to break guitar strings.” It also coincides with the ripening of a type of fruit, which is used to make an alcoholic drink called “canhu.” Marrabenta is a type of music, with sort of a Caribbean feel. Not something I can listen to for days on end, but I still enjoy. Anyway, Friday night I went to a show at the Franco-Mozambique cultural centre (I know…another strange combination…who’d have thought I’d end up there?), featuring many of the stars of this genre, who each did about three or four songs–the cream of the crop you might say. Many of the performers were older, with younger players supporting them. Very respectful of the older generation. Two in particular I enjoyed: Cheny, a young guy who played this xylophone looking thing with incredible flair and intensity and Neyma, a middle-aged female performer with a great voice and some incredible dance moves. The show went from 9 pm til almost 1 am. People were drinking, dancing, and having a good time. Again, no rules and anything goes….so very different from home.
My plan was to take the free train the next day to the actual festival, about 90 minutes north from here. But I had been trying to connect with Chico Antonio (the older musician dude I wrote about last week), and it happened he was free Saturday. It turned into one of those rare days that I will remember forever.
Chico and the band
I met Chico at noon outside Radio Mozambique, and we wandered across the street to a local outdoor terrace. I was not sure what to expect, but hoped we would find some common ground. We sat for the next four hours, had a few beers, and he told me about his life as a musician and life in Mozambique.
He is 55 and has won many awards. He sings, plays guitar, flute, percussion, and trumpet. He ran away from home at the age of six because he fell asleep tending the cows, and half of them escaped. He thought his father would kill him. So he left and has never seen them again. He lived on he street until he was nine, when he was helped by two white men who got him into school. From there he studied chemistry, and then music at the age of 19, and he has never looked back. He lived in France on a musical scholarship for several years. He has toured and played with the best. During our chat, people were coming up to him every few minutes to introduce themselves, say how much they loved his music, and shake his hand. We spoke a mixture of English, French, and Portuguese, but he speaks five or six languages.
There is a youthful intensity about him, yet you can see every one of 55 years etched in his face, and particularly in his eyes. They really tell a story.
I hadn’t made any plans for the day, so when he asked me if I would like to come with him to his home and meet his wife, of course I did. We walked about 30 minutes through the city and his neighbourhood, people waving and nodding to him along the way…clearly he is a well-respected fixture in the community.
We walked up 12 flights of stairs to his very modest apartment. Decent by Mozambique standards I think, but certainly not by North American standards. Very run down, water leaking though the ceiling. But a spectacular view. He has lived there for 28 years. I met Anita, his wife of 15 years (his third…consecutive though, not at the same time!). She is 50 but looks 35. ”I chose well,” he says. Chico has only one child from his first marriage, and stepchildren from his last two. Anita showed me her photographs and made us dinner. Then we listened to a bunch of songs he is currently working on. He even lent me the only copy of the cd so I could listen to it on my own. He seemed so pleased to be able to share his music with me. Watching him listen to music was something special. It takes him somewhere else, to a different plane of existence, like he is flying. I am new to this part of the music business, but I get it.
He has done it all and seen it all. Now he plays once in a while, when it suits him. He looks for people and projects that will allow him to explore something different and new to him. He has a very interesting sound…I can hear so many levels and influences behind his music. Although generally not one to label, I coined the term “Africool” to describe his music, which I think he quite liked.
Yesterday I met up again with Chico, this time with his band–Edmondo, a young, very talented Mozambican who plays mainly percussion, and Chude, and American Mozambican vocalist who has toured with Bruce Cockburn and Jackson Browne. They started with an interview with two dudes from Radio Mozambique, then got into their groove together. They play this free-flowing, rhythmic, experimental kind of music–fun and trippy. Kind of like musical improv. They start with a groove or rhythm, and then build on it. Chico calls the rehearsals a workshop…and I suppose that is quite an accurate description. They bring a whole bunch of different instruments–flutes, recorders, castanets, bongos, all kinds of shaker instrument, guitars, etc–and play as the spirit moves them. Anyway he introduced me and told them I was keen to learn their style of music, and jam with them (and other stuff too I guess ‘cos they were laughing!). Then more magic: the three of them welcomed me into their band with open arms for the remainder of my stay! We played together for a few hours, and then went for a few beers. I was also their official photographer for the their promo photo! I must admit I am a little starstruck, but what the hell, I will give it everything I’ve got and see where it takes us. And I was so very touched by how warm and accepting and open they were with me. We have another “workshop” session Friday night!
Money makes the world go around?
Switching gears…I am particularly conscious of money here. Those who have, and those who don’t. Those that make it, those that spend it, those that are trying to get it. Much has been said about money and what it represents–good, bad, and ugly. I know that it can do so many positive things in the world, but it can also be the source of such pain and misery. I am beginning to see it as not necessarily any of those, but more as a source or transfer of energy. I heard it characterized recently in and of itself as neutral, but that it is our attachment to it that creates problems.
I can walk down the street here and have nothing left within about 10 minutes if I give it to everyone that approaches me. So why say yes to one and not another? How to decide if one needs it more or less than the other? It’s all how I look at it. How I judge it. If I feel hustled, I tend not to want to part with it. If I see someone who looks like they need it, I will give them some. Or buy a pineapple from them. Or give them my bread or whatever I might be carrying. I am starting to ramble a bit here I guess because I don’t really have any answers. But this experience, and in fact my life in the last year or two, is causing me to re-examine my thoughts about and relationship to money.
Case in point: I just received one of my daily junk emails, this one from Kijiji or Groupon trying to sell me:
- LED candles (with remote!)
- Automatic soap dispenser
- Aviator glasses
- Wishing lanterns
- Gel pillows
- Levitating bottle holder (now my life can finally be complete)
Really? Consider that 2.5 billion people (about a third of our planet) live on less than $2 a day, and this obscene consumerism could not seem any more ridiculous. This kind of frivolous waste has been bothering me since Nicaragua, and clearly it still is.
As I wrote in my last post, I seem to have a pretty good relationship with the staff at the apartment/hotel. In fact some of them are even trying to teach me their language of Changaan. Is this because I tip them from time to time, or because I make a sustained effort to connect with them? I think and hope the latter is true.
There are guys who sell crafts in the park across the street. One younger guy–Raymond–pushes me hard, and tries to get me to buy something no matter what. I explained to him on Monday how unpleasant it is to be hustled, and asked him he feels when someone tries to sell him hard. He heard me, but still wanted me to buy something. I gave in, and bought something small which clearly disappointed him. I think he ripped me off, but whatever.
But there’s another guy–Francesco– who sees me coming now and does not try to sell me at all anymore. He seems interested in just talking to me! Those are the kind of breakthroughs that make putting up with the Raymond types worth it. And there are many of these positive stories. Positive or negative, these people are very, very good at reading and reacting (and exploiting) non-verbal communication clues.
There are fair people here, as well as those who are trying to rip you off, nice and not so nice. I suppose that is no different from anywhere else.
I have talked about two very different types of experiences in this post. The question is how will I view them, how do I respond, what filters do I use, and how do I allow them to affect me?
One thing that strikes me…I am so busy absorbing and learning in this new environment, that I spend very little time judging. I am open, and that’s a good thing. A positive outcome of the unfamiliar.
Lots happening on the work front but I will save that for next week.
I will close with a few timely and relevant words by Neil Donald Walsch (that I know my wife will remind me of when I am home!).
“There is something ‘wrong’ with everything. No matter what you are looking at, you can find something wrong with it, something imperfect, something that is not okay with you. Don’t worry, if you look hard enough you’ll find it.
There is also something ‘right’ with everything. No matter what you are looking at, you can find something right with it, something perfect.”
I am doing well with this here, in the unfamiliar, but recognize that I must try to see more of what’s right always.
‘Til next week.